the mighty geena is back on antinote with a new ep filled with deepest psychedelic goodness and spaced surprises. comes housed in a glorious printed sleeve! tip! side a starts with -tone loc- a heavy geenafied future classic, complete with signature celestial pan pipes and a deeper than deep bassline, together building in intensity with muted distant vocals adding to the sweet heady confusion. the next track -minus jam- is on a similar path of ecstatic disorientation, with spinning delayed glass toms supervised by the darkest dictatorial bass line confirming geena is a master of light and dark. side 2 continues with -box of exotica- where we are sent to a dreamy post blade runner musical world of traditional and futuristic collision augmented with beautiful and equally dark japanese stick music vocals. the last track -green resident- also walks the cosmic path found throughout this gorgeous ep, softer at first than the others, but the silky darkness soon seeps in bringing cosmic order to geenaland.

roberto capuano releases his first single on truesoul with two exceptional tracks that show a techier side to roberto s sound and one that impresses throughout. the title track never stop has been a highlight in adam beyers sets and its easy to understand why. the creeping vocal and driving drums are an inaugural part of the track before the uniquely pleasing pads drop in and create a gripping and immersive track to get lost in. around is a techier track that implements a throbbing underlying bass line that sits and keeps the track driving under a roaring vocal.

after debuting earlier this year on a collaborative split with max_m for parachute records, italian producer wrong assessment lands on m_rec ltd with his very own 12. disillusionment is a tightly programmed techno tool packed with groove. there�s a warm and almost melodic bass line here, clearly indebted to the detroit groove, but darkened as it has become custom with italian producers and their sound. the loops that develop around it are of the hypnotic kind� the sound that recently made m_rec ltd label of the month on resident advisor. parachute affiliate cw/a (already involved in clockwork and avatism) delivers a prime time remix that transform the original into an aggressive techno anthem. playing intelligently with the elements of the original, the remix delineates a very interesting narrative as it fluctuates between harshness, funk and psychedelia. expect major playtime. on the flip side, �persecutory beliefs� is basically a tribute to all proper techno dancefloors. with tension and tightness, the track revolves around a forward driving ravey refrain perfected for those late night sessions. closing the ep, �inner turmoil� follows a similar path, but gets druggier and more crepuscular as it evolves. like throughout the entire ep, there�s a love for proper 90s techno at play here. dark stuff for late, late nights. is it clear that max_m and his label m_rec ltd have discovered major talent in wrong assessment. expect more great things throughout 2015.

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire�s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it�s apparent that mcguire�s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

back at it again, taking the true essence of the �jacking� sound of chicago house and putting it�s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, �volatile.� warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! �volatile� starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that�s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is �killin,� with it�s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, �broken siren� is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, �electric current� best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

picking up where the green aid ep left off, pn002 continues to encapsulate the labels ethos of delivering bass-laced custom-built club music that transports listeners to that unique place only quality club music can. title track glacier way is a pacey low slung affair that combines shimmering synths, rasping kicks and otherworldly bass breaks. another fine a side from the budding producer, and one that is sure to set the tempo across planet earth.

flumo limited returns in the form of a translucent blue 10 inch, slice of blue acid from el_txef_a. the release features 2 originals that incorporatesthe emotive and deep vocals of terence mckenna and is packed full off 303 beats, ready to do the work on the dance floor. side a of this double sider comes in the form of �neurotransmitters communication�, a 9 minute roller which blends heavy bass beats and piercing vocals into on ocean of squelching undertows. for side b, el_txef_a presents us with �fear vs love�, intertwining flutters of break beat around chugging acid melodies, and leaving the listener with a perfect combiantion of sonics. this is one piece of wax that is almost certainlly an essential for your record bag, a homage to the warehouse raves of times past and a melting pot of acid acoustics.

2016 repress - outplay s third vinyl release will be from young mancunian artist loz goddard. with releases on large music and editorial he has been making a great impression with his combination of disco and beatdown house. a well balanced blend between samples and synth work makes this a varied ep and a great showcase for loz s sound. outplay s own fouk takes care of the remix, turning the lush it will come to me into a solid dance floor track with added bass line groove

we are pleased to announce the first of a special vinyl ep series, to anticipate some of the forthcoming rebirth releases. the first volume include music from c.vogt & patrick jeremic, villanova and brisa. c.vogt follows the success of the infamous in 2014 with after all it s you , a collaboration with his fellow producer patrick jeremic. son of the violinist k.vogt and a great musician, chriss started studying the piano and saxophone and rapidly entering walls of the world of electronic music ! live drums, bass and another fantastic rhodes theme, this is pure class ! adrien and marco aka villanova hail from france and have really put their sound on the map in recent times. they have recently released music on labels like my favorite robot, cocoon and no19 music and recently played clubs like rex in paris and space in ibiza. monk is the debut track for rebirth records to anticipate the release of their ep, a monster piano number ready to fire the dancefloors....

west end communications launch their imprint with a super-limited 100 run of obstrcts vault ep! big room stab-heavy techno collides with raw house and the heavier side of the london techno-bass crossover .. a killer debut!

9300 records returns with the first ep by shin, a relatively unknown, belgian producer duo. they gave birth to three solid tracks with low kicks and raw bass chords, synths that are highly 90 s trance influenced and some acid vibes on the b-side. the cherry on top is a remix of mistress by none other than legowelt! danny wolfers discribes the ep as flemish achromatism , which is a good reference to its melancholic undertone.limited to 300 hand stamped and numbered copies !

part i of the sweet sadness album. four raw, analogue-drenched, deep and dubby industrial-influenced bass tracks.

introducing damien zala... the next promising young frenchman to release on hold youth. although relatively unknown, his first album *lonely happiness* received strong support from theo parrish, norm talley and luke hess amongst others. combining analogue synths and drum-machines with acoustic elements and samples from old records, the trained sound engineer is a rigorous technician aiming to create sophisticated deep house atmospheres. hold youth provide a breeding ground for open-minded and innovative music, and zalas second life ep ticks all the right boxes. exploring sounds from a broad spectrum, *ms blue* is the moody opener that creates a melange of raw minimal jazz, while the b side continues in this vein with more of an obvious off-key german micro house influence. *considered done* references the late herbie hancock, sampling his voice over a flowing piano melody and punchy bass line, while *tribute to willy simon* goes all out funky, full of brass, with a classic hip hop swagger.

unrelated records is back with planet g ep by raw m.t (wicked bass / mork), including a remix by florian kupfer. limited to 300 copies on 180 gram vinyl.

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!

die rapperin sookee präsentiert internationalen female-hip-hop. die 7 inch enthält einen downloadcode für den kompletten sampler mit 24 tracks.

following the success of the first three releases, polish imprint transatlantyk is back with more playful dance floor jams. this brand new offering showcases the unusual production talent of a well known polish hip-hop beatmaker lukasz maszczynski who until now was best known for serving fat beats for best underground rappers under his kixnare alias, under which he also released 3 solo albums on the polish u know me imprint. his new alter ego - universo - is dedicated to deep and raw house-oriented music, leaving soft, r&b infused electronic jams and raw sample-heavy beats behind. the ep opener amazones fuses rolling bass and synths with heavy drums and mind enhancing soundscapes, creating beautiful late night jam. chrome takes its sounds and inspirations out of chicago house playbook and works them to great effect. yebo is the perfect peak-time banger. its rolling, irresistible groove and chords are reminiscent of motor city drum ensemble s finest moments. fat, fresh and funky! closing the ep is sus , a deep ambient track with liquid-like synths pouring bits of melancholy on top of delicate drums. all four tracks have been road-tested by the transatantyk family and will be the source of endless fun for you and the dancers on the floor. ahoj!

ltd album format (300 copies) includes laser cut slip mat, firm sale only!
emikas new album channels electroclash era rapid-fire bass and syncopated beats amidst soaring synths. a songwriter who wears her heart on her sleeve, with deeply personal sentiments imbuing her brooding, expansive soundscapes throughout this record. the intricate, deft production flourishes that flow through the album and the breadth of moods showcased point illustrate a fully-fledged artist. pitches her voice down on the vampish miracles to duet with herself in haunting fashion.

emikas new album channels electroclash era rapid-fire bass and syncopated beats amidst soaring synths. a songwriter who wears her heart on her sleeve, with deeply personal sentiments imbuing her brooding, expansive soundscapes throughout this record. the intricate, deft production flourishes that flow through the album and the breadth of moods showcased point illustrate a fully-fledged artist. pitches her voice down on the vampish miracles to duet with herself in haunting fashion.

markant minimal to bass techhouse tracks

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

the original opens with a field recording intro followed shortly after by heavy bass shots and a pulsating kick drum. snare patterns and an underwater synth melody hit the speakers with an abstract touch, while halfway through the pace changes with a new bass coming in. an experimental and brave track, it reflects idriss djing style and his long sets, going into different mental spaces, a wavelike combination of beats and up&down rhythms. eduardo de la calle s trademark analog sounds fill his tribute remix with acid keyboards, rim shot grooves, industrial noises and metallic vibes, swinging with a rolling bass line and bringing the original percussions to the fore.

the first release got heavy support & feedbacks by dj hell, martin eyerer, pablo bolivar, daniel bortz, dirty döring, bunte bummler, pedestrian, alle farben as well as top chartings by steve bug or dan drastic.
we hope that you will find the same meticulous attention to detail and quality in the forthcoming shadowing , which marks the reunion between christian hornbostel & mick thammer. for this release the duo invited austrian well-known veteran producer eric fischer, who delivered - together with his studio partner petit beurre - an amazing electronic mix and completed the package. so heavy dj-support, of course by brothers vibe, agoria, pablo bolivar, pele, dj hell, miguel puente, paco osuna, mollono.bass, daniel mehlhart amn.

wenn der bass die mauer zum einstürzen bringt ist einem klar, dass man die platte auch in 10 jahren noch auf den plattentellern finden wird. techhouse mit liebe, perfekt auf die spitze getrieben im remix von schlepp geist.

tasteful nudes brings frankfurt-based producer janis into the fold for release number seven, you cant see me. a founder of the house is ok label and contributor to mirau and smile for a while, janis brings ravishing melodies and impeccable sound design to this three track ep. playful but pounding, the title cut featuring vocals by eva kruijssen teases listeners into a game of dancefloor hide-and-seek. meanwhile, tender love wraps dancers in fuzzy synth lines and hazy vocals by denise frickenschmidt, as a deep, creeping bass line warms their feet. the rustic majesty of es nestchle, strung with samples recorded in the family cottage, sets hearts aflutter with soaring strings and swelling melodies. the record artwork features an original photograph by chicago artist olivia coran

kensuke fukushima is an up and coming talent from japan. growing up heavily influenced by rock and jazz, he learned to play multiple instruments like lead and bass guitar as well as piano. he s had a few previous releases on labels such as onovu & leap records and was featured on a recent v/a ep on roundabout sounds entitled, fly pattern ep. label boss joe babylon reached out to detoit house legend d wynn to remix the title track. for those that don t already know, d wynn was the resident dj at the histroic music institute as well as tour dj for inner city. he s also one half of r-tyme with derrick may.

* grooverider returns to headz with his codename john alias
* the avenger grooverider dons his gritty hat for this stepping roll out, all tense mids mid-range and snarls, perfect dancefloor material
* john & tony gangster samples from codename john on this one, cheeky steps and bass stabs are the order of the day
* saviour selector a clash tune if there was any, the war cry for all other selectors is there for them to take heed!

organic failure is the title of the latest release on injected poison. on this release we have 2 original tracks and 2 remixes from two of the most important producers in the techno scene at the moment. jose pouj named his first two tracks siris and fmo, two tracks produced through hardware and software with a thick bass, synth and deep atmospheres. christian wunsch is responsible for the first remix, with a more forceful and direct dancefloor approach. orphx delivers his version of metamorphosis, keeping the original sounds and shifting forward orphx trademark sounds.

almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

a1: song stronge th sound foundations of early 90ies chicago and nyc housemusic define heat vibes trademark. with a bassline as hyper as earliest rave days in y all garage, this track will kill doubts by the drop! a2: nasty troubble nasty - as we like it... marching and shuffling in on a low slung beat and dry drums, the 92 style killer chords make this a real powerhouse affair. root out your troubles! b1: certified this track ensures people rushin the floor. classic deep house chords meet euphoric vocal bits and a battery full of charged and vibrant beats to fill you up with a mood that sets you free from any stress. b2: certified / locklead mix refixing certfied demandingly, wonderkid locklead ventures asides of the hot haus records stable garnering the original with a nasty beat n bass workout. as abstract as raw n funky. bangers anyone call locklead! the member of utrecht*s slapfunk crew is sure to bang n slap your floor.

more amazing international neurofunk from the close2death camp. the gloucester, uk-based label have been carving a path through drum & bass over the past few years, establishing a name and an identity by only dealing in the very best sounds from the edges of reality.

the full ep trilogy by also aka appleblim & second storey as triple vinyl pack.

following the success of their fourth studio album smoke and touring for over a year dapayk & padberg felt ready to release the single come out. their brand new track is fresh and present, making it the perfect tool to dance into spring and get rid of thick winter clothing. on the b side the berlin-based electronic duo presents two more album remixes. the pole mooryc wraps the title track smoke in his fragile, soulful and bass-driven slow-mo-electronica. dublin s eomac extends the list of silent fireworks remixes. a deep wobbling sub bass combined with broken beats and spheric pad sounds give the original an eccentric touch of dubstep.

m.d.o.f. (multiple degree of freedom) ep brings us to the 8th modal analysis release an improvisation-noise extract from the studio collaboration between the greek electronic producer panos kyveleas, (a.k.a. biomass), and the italian impro-noise duo r.o.m. (alessandro quintavalle/electronic bass & luca pastore/tenor sax

our first release for 2015 comes from chicagoan, area. his previous releases on various labels including his own, kimochi, show a producer who spans many genres while maintaining a particular aesthetic. this untethered approach has lead to *one less me* � one of his most moving records to date. area has melded elements from bass music, industrial, electroacoustic, spoken-word and techno into 3 tracks that distill their influences into something greater than the sum of its parts.

limited edition of 200 copies, handstamped, vinyl only promo.
milos returns after the well recieved expressions e.p., here dropping another 2 effective dj treats!
kicking off with * work it out*, a healthy 303 backed slammer with huge sound, and classic work that mutha sample. stand out mastering from curved uk! heads down bomb!
flip for * test of time*, an enormous rave sampling, addictive dancefloor gem with a definate nod to the old skool, massive reverb effects and a thundering bass! in the right hands, this is an essential weapon!

squarepusher verbrachte zehn jahre damit, sein eigenes einzigartiges softwaresystem zu kreieren und zu verfeinern. damogen furies ist das erste album, das komplett mit diesem aufgenommen wurde. alle aufnahmen entstanden jeweils in einem take, ohne edits. damogen furies strahlt die brutale energie eines debütalbums aus. es ist gleichzeitig höhepunkt und zusammenfluss aller seiner bisherigen werke und exkursionen. auf dem album interagieren squarepushers haupteinflüsse der jazz der miles davis schule und die dance music und überspannen ein spektrum von albträumerischem drill n bass bis zu frühwerken diverser electric jazz-pioniere.

tooth faeries brings together mark brydon and parrot. the sound is their new release on shabby doll - two versions of the title cut plus the gently pulsing love & resistance. deeply melodic yet also crisp and compelling, the sound layers carmen squires lush vocal over a martial drum beat, unleashing a dose of deep sheffield bass just when it matters most.

feel the drum beat of uneasy change in the eager hand drums, bass throbs, and stalking synth stabs turning up the tension like rents in a hip neighborhood. terrence parker goes more optimistic turn on the remix. hand stamped vinyl only rsd.

out of sight , the title track, is an elegant house exercise that takes you back to san francisco. recall is a brain bomb, hypnotic and psychedelic but with lots of energy, and has already been supported by the likes of raresh, rhadoo, djebali and apollonia, and is definately the cut to go in this record. to finish things off, romania s rising star mp, known for his works on soulsity and meterze, shows us his own view on out of sight , based on dynamic drums and a with an amazing bass leading the whole thing.

käse kool s fifth release, the friends n no ends ep, is comprised of 5 berlin-based producers, each of which brings his own unique sound to ep. a1, appearance, comes from the face behind crude wax, vincenzo maurice. this tune comes with a rough attitude of sheer analogue house. a2, wismut, comes from the man with the plan, nick beringer. this track speaks for itself with its punchy bass-line and direct groove. b1, visions, comes from a newly formed duo who goes by mode7. this promising duo hits it home with their newest track visions as its sweet and sultry pads play with the drive of bass and drums. lastly b2, system is wack, comes from a producer who goes by the name of aurhythm (aka dennis sekyere). this track speaks for itself, as being very rude with it s rough drive but still keeping its own delicate stems

also - appleblim and second storey return to r&s with the third installment in their ep trilogy. *raves* opens up proceedings with an irresistibly shuffling drumtrack, scything lead lines and off-kilter bass, while on the flip *blyford bass* aiming directly at the dancefloor, turns up the wobble, dizzying perc patterns and gnarled subs to twist up speaker cones.

for good measure, el gato takes us to his dystopian future in electric sheep - a philip k. dick inspired lysergic acid ambient bath. maybe you are the android listening to the wonderfully lush and intricate use of 303s. vernal equinox introduces the other side of el gato displaying his deep interest in drum & bass.

what can be said about kerri chandler that hasn t already been said? the man is one of the greats of contemporary house music, a true legend & one of the most hard working & consistent producers out there today. trionisphere, his (second) lp from 2003 has it all, those gritty drums, the deep garage groove, the church feeling that influences so much of his sound & those bass-lines that he s renowned for are all here, not forgetting the outstanding vocal performances from his long-time collaborator dee dee brave amongst a cast of other guests. the sounds on the lp are wide ranging, from the uplifting latin swing of ye yo ma (mother) to the sparse, pacey, heads down house of it s you we re treated to a glimpse into mr.chandler s sound world across 2x12inchs & we all know that can only be a good thing! trionisphere has always been a fond favourite with house aficionados around the world & hasn t been available for a little while.until now! fully re-mastered, re-pressed & re-released in conjunction with king street sounds, nyc & made available again for 2015 in it s original format with the permission & participation of all rights holders. now s your chance to own a piece of ny/nj house history!

from earlydub records mastermind & creator, french native loquace has honored us with his edition of tabla, for our 5th release. after years of playing alongside flagship artists like: miss kitten, vitalic, stephan bodzin, tini & the gang, julian perez, anja schneider, and yaya, loquace has shown his commitment to the music, and has left quite an impression on many. with such releases on labels such as: little helpers, upon.you, kiara records, moan recordings, and kina music, loquace has made his musical impact, and shown great dedication, and true creativity, to say the least. loquace�s ep, entitled �momento�, starts off proper bringing our attention directly to the pulsating bass and excited cymbals, finding yourself on a colossal-like locomotive. nostalgia�s atmospheric rooms, brings us to a moment of breath, a certain euphoric feeling. getaway, takes us to the deep down drums while guiding you to the undertones of the bass. as we yearn for more, loquace delivers us � things. as the track unfolds, it will bring you into a groove, a distinctive rhythm, as the chorus keeps you on beat, the kicks dance around, and the secret stabs transport you to our closing, ending our journey with loquace on this edition of tabla.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club�s most battle hardened heads, its subtle machinations will prove deadly in the right dj�s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

as big fans of red axes, were happy to welcome niv and dori to the label. their first release for hivern is pil sagol, a three-track ep that features some of their most adventurous material to date. the title track is a slice of shamanic house full of playful melodies, dripping textures and steady rhythms that result in the sonic equivalent of psychotropic trip through the jungle. me and abra in ruanda drops the tempo but keeps the mind-expanding effect with its mangled brass sounds and ceremonious pads. todum todum is the most dance floor-driven cut of the ep, building tension through distorted toms, reverberant claps and an unrelenting bass line whilst keeping the narcotic vibe of the whole release through highly enchanting cosmic melodies. the 12inch comes in a captivating sleeve by barcelona-based designer xavier marin.

syncom datas powerful return with the hard jacking warehousing ep, all drenched in that typical raw syncom data techno sewer sound with lots of emphasis on bass. comes on stylish translucent, red-black smokey marbled vinyl.

fkclub aka marc lapeyre did it again with the illuminati ep on astrolab. mixing modern synth and old school analog sounds to create a dirty, catchy and powerful track: illuminati. volta is new wav-ish with its dark synth bass and voice, like depeche mode on magic mushrooms. pilooskis remix of illuminati brings the track to a point of dissonance and trippy arp, where the man show us one more time what a flair he has for it.